When the format of the camera changes, so does our relationship to the story, our perception of reality, and the understanding of who we are.
Originally the letter “D” in the Viking Runic alphabet, Dagaz happens to look like two D’s facing each other which parallels with the name Dansker Digital.
But there is a deeper meaning to the symbol. Dane, who spearheads Dansker Digital, is a dual citizen and with a name like Dane, he is neither fully American nor fully Danish.
He applies this duality of being to his storycraft, because he believes the story changes depending on the perspective and the format in which you tell it. Dansker, which means a Dane in Danish, and Digital, a reference to the multiplicity of new media formats, is a double entendre on how the intersection of story, technology, and humanity changes our perception of who we are.
Dane is a Danish-American filmmaker whose obsession with technology and cinema craft has led him to experiment at the frontier of digital storytelling.
